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Read Andanzas y visiones españolas in Spanish, with the English beside it
by Miguel de Unamuno · 1864–1936
"Andanzas y visiones españolas" (Spanish Wanderings and Visions) by Miguel de Unamuno is a collection of travel essays and reflections written in the early 20th century. It gathers chronologically arranged excursions across Spain, weaving landscape sketches with meditations on history, faith, identity, and modern life. The traveling narrator seeks the country’s spirit in monasteries, mountains, and old towns, finding meaning in silence, ruins, and rural rhythms. The opening of the work lays out its aim: to collect landscape pieces and travel visions that Unamuno kept separate from his novels so readers can savor scenery and contemplation on their own. He begins at the Cistercian ruins of Moreruela, turning their grandeur and decay into prayers to quiet, enclosure, and the search for God within. He then recounts a recent ascent to Gredos—exalting the silence of high places, mocking news-chasing and “progress,” praising simplicity, and preparing another retreat to the Peña de Francia. From that summit he writes of shared quiet with friends, inward examination, and vast perspectives over humble villages, invoking Senancour’s Obermann to name the mountain’s metaphysical hush. A letter-essay contrasts city bustle with the moral calm of the countryside, recalls formative landscapes (Vizcaya, the Apennines), criticizes tourism-by-fashion, and treats the field as an ethical gospel. A Holy Week journey follows through Medina del Campo, Olmedo, and Arévalo, mingling history (Isabel, Enrique IV, the Beltraneja, the comuneros) with vivid village life and the haunting sight of an abandoned cemetery. It culminates with arrival at El Escorial, where he rebuts guidebook prejudices and defends the austere, “arid” beauty of the monastery and the Castilian landscape.
- Read time
- 350 min
- Words
- 76,940
- Chapters
- 44
- Paragraphs
- 903
- Price
- Free
- Spain -- Description and travel
¡Me mienta usted en su carta al Apenino! ¡Dulce recuerdo! Hace ya de esto veintidós años, no teniendo yo todavía entonces más que veinticinco, en el verano de 1889, cuando lleno de mi tierra vasca atravesaba ese generoso Apenino en uno de cuyos repliegues se esconde el lugarejo en que usted nació. Y al atravesarlo y contemplar sus valles, sus encañadas y sus pueblecitos, recordaba a mi Vizcaya. Todas las notas de aquel mi viaje de mocedad, que asentaba noche a noche, al correr de la pluma, en un cuarto de hotel, están llenas de mi tierra nativa. Al entrar en Italia empezaron a desfilar a mis ojos los clásicos pinos italianos, en parasol, que me traían el recuerdo de uno hermosísimo que hay a la entrada de Guernica, de donde es y donde vivía entonces y me esperaba la que dos años más tarde había de hacerse mi mujer. Los Apeninos vistos desde Florencia, desde esta ciudad para mi encantada que llevo en el fondo de mi alma a partir de entonces, los Apeninos aquéllos me recordaban la cordillera de Archanda, a cuya sombra se cernieron los ensueños de mi juventud. Al subir el Reno, yendo de Pistoya a Bolonia, me invadió el recuerdo de la subida de Orduña, según se pasa de los valles del país vasco a la llanura castellana, esta subida que traspuse la primera vez cuando a mis diez y seis años fuí a Madrid a empezar mi carrera, cantando el _Agur, nere biotzeko_, un zortzico de Iparraguirre, y con lágrimas en los ojos que iban a empezar a no ver su tierra. En aquella misma Florencia, en esa Florencia de mi deslumbramiento juvenil y que consideraría una desgracia de mi vida no poder volver a verla, escribí una noche: «¡Mi Florencia! Hace un tiempo bilbaíno, a ratos sol y a ratos nubes. Las calles, tan tranquilas; el aspecto de mi Bilbao». Hoy no les encontraría esta semejanza, pues no la tienen. Y hasta las oposiciones suscitaban el recuerdo de mi tierra, ya que hay una asociación de ideas por desemejanza. Los bueyes blancos de su tierra de usted, amigo, me recordaban a los bueyes rojos--_aidá! gorri!_--de color de barquillo, de la mía. Servíame la ajena para reencender la ternura por la mía propia. Y por esto le cobré tanto cariño.
You mention the Apennines in your letter! Sweet memory! It has been twenty-two years since then, when I was not yet twenty-five, in the summer of 1889, when, full of my Basque land, I crossed those generous Apennines, in one of whose folds the village where you were born is hidden. And as I crossed it and contemplated its valleys, its ravines, and its small towns, I remembered my Biscay. All the notes of that youthful journey of mine, which I wrote down night after night, as my pen ran, in a hotel room, are full of my native land. Upon entering Italy, the classic Italian umbrella pines began to parade before my eyes, bringing back the memory of a very beautiful one at the entrance to Guernica, where she was from and where she lived then and awaited me, the one who two years later was to become my wife. The Apennines seen from Florence, from this city enchanted for me, which I have carried in the depths of my soul ever since, those Apennines reminded me of the Archanda mountain range, in whose shadow the dreams of my youth hovered. As I ascended the Reno, going from Pistoia to Bologna, the memory of the ascent of Orduña invaded me, as one passes from the valleys of the Basque Country to the Castilian plain, this ascent that I crossed for the first time when, at sixteen, I went to Madrid to begin my career, singing the _Agur, nere biotzeko_, a zortzico by Iparraguirre, and with tears in my eyes that were about to begin not to see their land. In that same Florence, in that Florence of my youthful dazzlement, which I would consider a misfortune of my life not to be able to see again, I wrote one night: "My Florence! The weather is like Bilbao, sometimes sun and sometimes clouds. The streets, so quiet; the appearance of my Bilbao." Today I would not find this resemblance, for they do not have it. And even the contrasts evoked the memory of my land, since there is an association of ideas by dissimilarity. The white oxen of your land, my friend, reminded me of the red oxen—_aidá! gorri!_—the wafer-colored ones, of mine. The foreign served to rekindle my tenderness for my own. And for this I grew so fond of it.
Chapters
- 1NOTAS DEL TRANSCRIPTOR
- 2OBRAS DEL AUTOR
- 3ANDANZAS Y VISIONES ESPAÑOLAS
- 4ÍNDICE
- 5PRÓLOGO
- 6MIGUEL DE UNAMUNO
- 7RECUERDO DE LA GRANJA DE MORERUELA
- 8DE VUELTA DE LA CUMBRE
- 9EL SILENCIO DE LA CIMA
- 10CIUDAD, CAMPO, PAISAJES Y RECUERDOSExcerpt
- 11HACIA EL ESCORIAL
- 12EN EL ESCORIAL
- 13SANTIAGO DE COMPOSTELA
- 14JUNTO A LAS RÍAS BAJAS DE GALICIA
- 15LEÓN
- 16EN LA QUIETUD DE LA PEQUEÑA VIEJA CIUDAD
- 17POR CAPITALES DE PROVINCIA
- 18EN LA PEÑA DE FRANCIA
- 19LAS HURDES
- 20III
- 21SALAMANCA
- 22COIMBRA
- 23FRENTE A LOS NEGRILLOS
- 24DE SALAMANCA A BARCELONA
- 25EN LA CALMA DE MALLORCA
- 26EN LA ISLA DORADA
- 27LA TORRE DE MONTERREY A LA LUZ DE LA HELADA
- 28AL PIE DEL MALADETA
- 29LA FRONTERA LINGÜÍSTICA
- 30CAMINO DE YUSTE
- 31EN YUSTE
- 32EN PALENCIA
- 33EN AGUILAR DE CAMPÓO
- 34FRENTE A ÁVILA
- 35UNA OBRA DE ROMANOS
- 36EXTRAMUROS DE ÁVILA
- 37VISIONES RÍTMICAS
- 38LAS ESTRADAS DE ALBIA
- 39AL NERVIÓN
- 40GALICIA
- 41EN UN CEMENTERIO DE LUGAR CASTELLANO
- 42EN GREDOS
- 43ATARDECER DE ESTÍO EN SALAMANCA
- 44JUNTO A LA VIEJA COLEGIATA
More originally in Spanish
Book details
- Original language
- Spanish
- Translation
- English
- Source text
- Project Gutenberg #78052
- Licence
- Public domain worldwide
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